^ Paul Strathern, The Medici: Godfather of the Renaissance, London, 2003.

Janson, The Sculpture of Donatello, Princeton, 1957, II, 77–86 Laurie Schneider, 'Donatello's Bronze David,' The Art Bulletin, 55 (1973) 213–216.

^ Janson, The Sculpture of Donatello, Princeton, 1963.

The others were named Leonardo and Raffaello. The DonatelloMulti-Purpose Logistics Module (MPLM) built by the Italian Space Agency, was one of three MPLMs operated by NASA to transfer supplies and equipment to and from the International Space Station.

Virgin and Child with Four Angels or Chellini Madonna (1456), Victoria and Albert Museum.

Judith and Holofernes (1455–1460) – Palazzo Vecchio, Florence.

1455) – Museo dell'Opera del Duomo, Florence

Equestrian Monument of Gattamelata (1445–50) – Piazza del Santo, Padua.1425–35) marble relief, Museum of Fine Arts, Boston 1425–30) – Museo Nazionale del Bargello, Florence 1425) – Baptismal font, Baptistry of San Giovanni, Siena Prophet Habakkuk (1423–25) – Museo dell'Opera del Duomo, Florence.1415–17) – Museo Nazionale del Bargello, Florence During this period-1446–50-Donatello also executed four extremely important reliefs with scenes from the life of St.

On the throne's back is a relief of Adam and Eve. The Madonna with Child portrays the Child being displayed to the faithful, on a throne flanked by two sphinxes, allegorical figures of knowledge. Anthony, Donatello created, most famously, the bronze Crucifix of 1444–47 and additional statues for the choir, including a Madonna with Child and six saints, constituting a Holy Conversation, which is no longer visible since the renovation by Camillo Boito in 1895. Around 1440, he executed a bust of a Young Man with a Cameo now in the Bargello, the first example of a lay bust portrait since the classical era. John the Baptist for Santa Maria Gloriosa dei Frari in Venice. In 1435, he executed the Annunciation for the Cavalcanti altar in Santa Croce, inspired by 14th-century iconography, and in 1437–1443, he worked in the Old Sacristy of the San Lorenzo in Florence, on two doors and lunettes portraying saints, as well as eight stucco tondoes. This work, a passionate, pagan, rhythmically conceived bacchanalian dance of half-nude putti, was the forerunner of the great Cantoria, or singing tribune, at the Duomo in Florence on which Donatello worked intermittently from 1433 to 1440 and was inspired by ancient sarcophagi and Byzantine ivory chests. In May 1434, he signed a contract for the marble pulpit on the facade of Prato cathedral, the last project executed in collaboration with Michelozzo. Donatello's return to Florence almost coincided with Cosimo's.

David donatello florenz